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Portal:Classical music |
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Classical music is a broad term that designates the art music of Western cultures. The works performed by classical musicians are selected from a tradition of written music dating back to the Middle Ages. Much of this music was originally composed as church music or for the entertainment of the aristocracy. Starting about the mid 18th century, classical music began to be composed for a public of classical music listeners, and it is this audience that continues to support the tradition today. Classical music is commonly divided into historical eras, including Medieval, Renaissance, Baroque, Classical, Romantic, and Modern. Culturally, classical music stands out for the intensive training that serious participants must undergo, as well as the tendency of its listeners to cherish, even venerate, particular works and their composers.
Atonality in its broadest sense describes music that lacks a tonal center, or key. Atonality in this sense usually describes compositions written from about 1907 to the present day where a hierarchy of pitches focusing on a single, central tone is not used as a primary foundation for the work. More narrowly, the term describes music that does not conform to the system of tonal hierarchies that characterized classical European music between the seventeenth and nineteenth centuries. More narrowly still, the term is used to describe music that is neither tonal nor serial, especially the pre-twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern. Composers such as Alexander Scriabin, Béla Bartók, Paul Hindemith, Sergei Prokofiev, Igor Stravinsky, Edgard Varèse, however, have written music that has been described, in full or in part, as atonal. Charles Ives was born in Danbury, Connecticut, the son of George Ives, a U.S. Army bandleader in the American Civil War, and his wife Mary Parmelee. A strong influence of Charles's may have been sitting in the Danbury town square, listening to his father's marching band and other bands on other sides of the square simultaneously. George Ives' unique music lessons were also a strong influence on Charles; George Ives took an open-minded approach to musical theory, encouraging his son to experiment in bitonal and polytonal harmonizations. Charles would often sing a song in one key, while his father accompanied in another keycitation needed. It was from his father that Charles Ives also learned the music of Stephen Foster. Ives became a church organist at the age of 14 and wrote various hymns and songs for church services, including his Variations on 'America' . Ives moved to New Haven in 1893, enrolling in the Hopkins School where he captained the baseball team. In September 1894, Ives entered Yale University, studying under Horatio Parker. Here he composed in a choral style similar to his mentor, writing church music and even an 1896 campaign song for William McKinley. On November 4, 1894 Charles's father died, a crushing blow to the young composer, who idolized his father, and to a large degree continued the musical experimentation begun by him. He was a member of HeBoule, Delta Kappa Epsilon and Wolf's Head Society, and sat as chairman of the Ivy Committee. He enjoyed sports at Yale and played on the varsity football team. Michael C. Murphy, his coach, once remarked that it was a crying shame that Charles Ives spent so much time at music as otherwise he could have been a champion sprinter. His works Calcium Light Night and Yale-Princeton Football Game show the influence of college and sports on Ives' composition. He wrote his Symphony No. 1 as his senior thesis under Parker's supervision. History of European art musicEarly
Common practiceModern and contemporary
WikiProject Classical Music aims to improve, expand, cleanup, and maintain all articles related to classical music, that aren't covered by other classical music related projects. Participants help sort stubs and source statements made throughout the world of classical music to provide a comprehensive documentation of classical music — including historical and musicological analysis.
The glockenspiel is a musical instrument in the percussion family, similar to a xylophone.
... that Johann Sebastian Bach is only one of 53 'musical Bachs' in several generations? ... that the Longest non-repetitive piano piece is The Road, composed by Frederic Rzewski, and lasts about 10 hours? ... that Gioacchino Rossini wrote his comic opera The Italian Girl in Algiers in less than three weeks? ... that the shortest opera is Darius Milhaud’s The Deliverance of Theseus, which lasts only 7 minutes? ... that the piece 4'33" by John Cage is made up entirely of silence from the performer? ... that Stockhausen's Helikopter-Streichquartett is played by a string quartet and four helicopters? ... that American composer Elliott Carter will celebrate his 100th birthday on December 11, 2008? |