Shiksha 

See Shiksha (NGO) for the Indian non-governmental organization.
See Shiksa for the Yiddish slang word.

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Shiksha (IAST śikṣā) is one of the six Vedangas, treating the traditional Hindu science of phonetics and phonology of Sanskrit.

Its aim is the teaching of the correct pronunciation of the Vedic hymns and mantras. The oldest phonetics textbooks are the Pratishakyas (prātiśākhya, a vrddhi abstract from Sanskrit pratiśākhā "side branch", "offshoot"), describing pronunciation, intonation of Sanskrit, as well as the Sanskrit rules of sandhi, specific to individual schools or Shakhas.

Contents

Pratishakhyas

Five Pratishakhyas are preserved:

In addition, several Shiksha texts exist, most of them in metrical verse form but a few in sutra form. Some of these surviving texts are 1. English translation of Paniniya Siksa.pdf

Although many of these Shiksha texts an attached to specific Vedic schools, others are late texts.

Syllabicity

Traditionally syllables (not letters) in Sanskrit are called Aksharam, meaning "imperishable entity", as it were "atoms" of speech. These aksharas are basically classified mainly into two types,[1]

Svara aksharas are also known as Prāna akshara i.e. they are main sounds in speech without which speech is not possible. So, they are considered as life letters. We find same notation used for referring the Tamil vowels calling them as Uyir ezhutthu. Panini referred the svara by Ach Pratyahāra. So aftermath him, they are referred as Ach Aksharam.

Vyanjana means embellishment. i.e., Consonants are treated as embellishment for the vowels to make a language sonorant. They are also known as Prāni akshara i.e., they are like a body in which life (Svara) will be present. We find same notation used for referring the Tamil Consonants calling them as Mey ezhutthu. Panini referred the vyanjana by Hal Pratyahāra. So after him, they are referred as Hal Aksharam.

Again Vyanjana aksharas are divided into three types,

Sparśa aksharas include syllables from Ka to Ma they are 25 in number. Antastha aksharas include syllables ya, ra, la and va. Ūshman aksharas include śa, sha, sa and ha.

It was told that a vowel can be pronounced in 18 ways (3x2x3) in Sanskrit language based on timing, manner, and accent of pronunciation.

Morae

Each vowel can be classified into three types based on the time of pronunciation (morae). The unit of time is mātra (approx. 0.4 second). They are,

So each vowel can be pronounced in three ways according to timespan of articulation.

Nasality

Each vowel can be classified into two types based on the manner of pronunciation. They are

Mukha : Oral
Nāsika : Nasal (all vowels are considered phonemically oral)

Pitch accent

Main article: Vedic accent

Each vowel can be classified into three types based on accent of articulation. This was lost in Classical Sanskrit, but used in chanting Vedic & Upanishadic hymns and mantras.

Udātta : high pitch
Anudātta : low pitch
Svarita : falling pitch

so each vowel can be pronounced in three ways according to the accent of pronunciation.

Traditional articulatory phonetics

According to the Indian linguistic tradition, articulation is analysed by different parameters and features.[2]

Places of Articulation

Generally, in articulatory phonetics, the place of articulation (also point of articulation) of a consonant is the point of contact, where an obstruction occurs in the vocal tract between an active (moving) articulator (typically some part of the tongue) and a passive (stationary) articulator (typically some part of the roof of the mouth).

According to Indian linguistic tradition, the places of articulation (passive) are classified as five. They are:-

Kanthyam : Velar
Tālavyam : Palatal
Mūrdhanyam : Retroflex
Dantyam : Dental
Ōshtyam : Labial

Apart from that, other places are combinations of the above five places. They are:-

Dantōsthyam : Labio-dental (Eg: v)
Kantatālavyam : Eg: Diphthong e
Kantōsthyam : labial-velar (Eg: Diphthong o)

The places of articulation (active) are classified as three, they are

Jihvā Mūlam : tongue root, for velar
Jihvā Madhyam : tongue body, for palatal
Jihvāgram : tip of tongue, for cerebral and dental
Adhōstam : lower lip, for labial

Efforts of Articulation

Effort of articulation (Ucchārana Prayatna) is of two types for consonants,

Bāhya Prayatna : External effort
Spristam : Plosive
Īshat Spristam : Approximant
Īshat Samvritam : Fricative
Abhyantara Prayatna : Internal effort
Alpaprānam : Unaspirated
Mahāprānam : Aspirated
Śvāsam : Unvoiced
Nādam : Voiced

Articulation of Consonants

Articulation of consonants will be a logical combination of components in the two prayatnas. The below table gives a view upon articulation of consonants.

Samskrita Vyanjana Ucchārana Pattika[3]
Prayatna Niyamāvalī Kanthya
(jihvā Mūlam)
Tālavya
(jihvā Madhyam)
Mūrdhanya
(jihvāgram)
Dantya
(jihvāgram)
Dantōshtya Ōshtya
(adhōstam)
Sparśam, Śvāsam, Alpaprānam ka ca ṭa ta pa
Sparśam, Śvāsam,Mahāprānam kha cha ṭha tha pha
Sparśam, Nādam, Alpaprānam ga ja ḍa da ba
Sparśam, Nādam, Mahāprānam gha jha ḍha dha bha
Sparśam, Nādam, Alpaprānam,
Anunāsikam, Dravam, Avyāhatam
ṅa ña ṇa na ma
Antastham, Nādam, Alpaprānam,
Dravam, Avyāhatam
ya ra
(Lunthitam)
la
(Pārśvikam)
va
Ūshman, Śvāsam,Mahāprānam, Avyāhatam Visarga śa ṣa sa
Ūshman, Nādam,Mahāprānam, Avyāhatam ha

See also

References

  1. ^ "Siddhanta Kaumudi" by Bhattoji Diksita and "Laghu Siddhanta Kaumudi", by Varadaraja.
  2. ^ "Siddhanta Kaumudi" by Bhattoji Diksita and "Laghu Siddhanta Kaumudi", by Varadaraja.
  3. ^ "Telugulo Chandovisheshaalu", Page 127 (In Telugu).